Daily Polaroids

2012-02-12T19:27:00.000-08:00

2012-02-06T11:32:00.001-08:00

2012-02-05T14:52:00.000-08:00

2012-02-05T14:45:00.001-08:00

the hawkline monster

2012-02-05T14:42:00.000-08:00

a gothic western

2011-11-05T13:45:00.001-07:00

2011-10-27T11:03:00.000-07:00

2011-10-27T11:02:00.000-07:00

2011-10-04T18:57:00.001-07:00

BETTER A LIVE ASS THAN A DEAD LION
October 8 - November 5, 2011
Opening Reception: Saturday, October 8, 4-7pm

"At the bottom of the fall we were able to stand again on dry land. The rope could not be recovered. We had flung down the adze from the top of the fall and also the logbook and the cooker wrapped in one of our blouses. That was all, except our wet clothes, that we brought out of the Antarctic, which we had entered a year and a half before with well-found ship, full equipment, and high hopes. That was all of tangible things; but in memories we were rich.

We had pierced the veneer of outside things. We had suffered, starved, and triumphed, grovelled down yet grasped at glory, grown bigger in the bigness of the whole. We had seen god in his splendours, heard the text that Nature renders. We had reached the naked soul of man." - Excerpt from South, the Diary of Sir Ernest H. Shackleton

Eli Ridgway Gallery is pleased to present Better a Live Ass Than a Dead Lion, a group exhibition of Bay Area artists. The exhibition, curated by David Kasprzak, includes works from Lindsey White, Elisheva Biernoff, Sean McFarland, Joshua Churchill, Matthew Kennedy, Dean Smith, and Richard Misrach.

The title Better a Live Ass Than a Dead Lion is a reference to Antarctic explorer, Sir Ernest Henry Shackleton's unapologetic approach to life as an expedition and the failure that occasionally accompanies it. This exhibition of photography, video, film, and installation creates a narrative around the idea of exploration as a creative process - an exploration of the miraculous through constructed landscapes, fictional histories, and the documentation of real journeys.

2011-10-03T11:16:00.000-07:00

uh oh

2011-10-01T12:05:00.001-07:00

2011-09-29T09:44:00.001-07:00

2011-09-26T21:52:00.000-07:00

2011-09-23T15:23:00.001-07:00

2011-09-23T11:50:00.001-07:00

2011-09-21T09:21:00.000-07:00

2011-09-21T00:08:00.001-07:00

2011-09-18T01:14:00.001-07:00

Eight Photographs of Redwoods

2011-09-17T12:02:00.001-07:00

2011-09-17T12:01:00.000-07:00

2011-09-17T11:56:00.001-07:00

2011-09-17T11:11:00.000-07:00

2011-09-06T13:42:00.001-07:00

2011-08-15T16:17:00.001-07:00

2011-08-13T14:29:00.000-07:00

2011-08-10T13:56:00.001-07:00

eighteenhourslater

2011-08-10T13:45:00.000-07:00

disappearing photograph

2011-08-09T14:55:00.001-07:00

2011-08-08T18:25:00.003-07:00

2011-08-08T18:25:00.001-07:00

2011-08-08T17:25:00.000-07:00

2011-08-08T17:20:00.001-07:00

disappearing photograph

2011-08-02T11:42:00.000-07:00

2011-08-01T22:28:00.000-07:00

2011-08-01T13:41:00.000-07:00

2011-07-31T21:37:00.000-07:00

2011-07-31T14:50:00.001-07:00

2011-07-29T12:00:00.001-07:00

2011-07-29T11:59:00.000-07:00

2011-07-29T11:46:00.000-07:00

2011-07-27T16:34:00.000-07:00

2011-07-27T16:22:00.000-07:00

2011-06-06T19:50:00.001-07:00

2011-06-05T21:50:00.000-07:00

nsew

2011-05-25T10:43:00.001-07:00

2011-05-25T10:39:00.000-07:00

2011-05-25T10:38:00.001-07:00

2011-05-25T10:35:00.001-07:00

2011-05-24T16:58:00.003-07:00

2011-05-24T16:58:00.001-07:00

2011-05-24T16:57:00.000-07:00

2011-05-19T16:52:00.000-07:00

click the picture.

2011-05-18T13:40:00.001-07:00

2011-05-18T13:31:00.000-07:00

2011-05-18T13:29:00.000-07:00

2011-05-17T22:55:00.001-07:00

2011-05-17T22:13:00.001-07:00

2011-05-16T16:37:00.001-07:00

2011-05-16T12:47:00.000-07:00

touch the wind

2011-04-27T11:16:00.001-07:00

in search of the miraculous

2011-04-14T16:37:00.001-07:00

2011-04-11T17:57:00.001-07:00

2011-04-10T16:34:00.000-07:00

2011-04-10T16:33:00.000-07:00

2011-04-10T16:06:00.000-07:00

2011-03-30T11:42:00.000-07:00

reviews of viewshed at baer ridgway exhibitions:

http://www.dailyserving.com

and

http://www.kqed.org/arts/visualarts/article.jsp?essid=48394

2011-03-26T13:27:00.001-07:00

2011-03-23T14:48:00.001-07:00

2011-03-21T16:10:00.000-07:00

can't wait to see this show
JET TRAVEL - PABLO GUARDIOLA
at ROMER YOUNG GALLERY

2011-03-21T15:34:00.001-07:00

2011-03-10T20:46:00.000-08:00

i haven't been posting. here's why.

SEAN McFARLAND:
VIEWSHED
March 12th - April 16th, 2011
Opening Reception: March 12th, 4-7pm
Baer Ridgway Exhibitions is pleased to present a solo exhibition with Sean McFarland: Viewshed, March 12th - April 16th, 2011. Through a disciplined studio practice utilizing unconventional modes of photography, McFarland continues to investigate the not so often seen vantage points of the Western landscape. The result of the artist's color photographs, black and white Polaroids, and drawings is a seemingly humble presentation that unfolds into monumental imagery and ideas that will challenge the audiences' understanding of both the environment and the photographic media.

Highlighted in this exhibition is McFarland's latest body of work, Dark Pictures: 2008 - present. Within this series, the nearly black surfaces slowly dissipate when fragments of light are revealed in an orchestrated composition of color that reaches beyond the surface into an extreme depth of field. The images often present dense canopies of foliage that lead to uncharted voids creating an irresistible yet haunting space that encompasses the viewer without invitation or direction, begging the question: do I dare brave further into the darkness? After this initiation, the viewer uncovers the multitude of possibilities that lye herein these beautifully cinematic images.

Within the Dark Pictures, McFarland combs through landscapes that exist because of human conservation. Most of the images are of landscapes maintained to depict their native biotic communities in close proximity to human development; city parks, open spaces, gardens, the representation of the natural. Like the word landscape, a viewshed is often implemented for aesthetic reasons, or with an eye toward natural beauty of the place. A viewshed is much like a screen concealing what one doesn't want the eye to see: for example, clear-cuts in old-growth forests are often obscured by trees that mask the devastation behind.

Also presented in this exhibition is an ongoing body of work, Pictures Of The Earth, 2008 - present. Along with these modest sized black and white Polaroids are several new graphite on paper drawings, all of which are heavily influenced by the Pictures Of The Earth series.

"This [McFarland's] post-apocalyptic vision simultaneously communicates our desire to return to a wild, primordial state and our fear of the dark corners of the natural world...McFarland's fantastical landscapes upend our perception of reality and challenge the authority of the photograph."
-Lisa Sutcliffe, Assistant Curator of Photography, San Francisco Museum of Modern Art

"Trying to comprehend the array, your eye will move into and out of it with a sort of breathing rhythm. A single tiny image will seize your attention, then release it into the staccato phrasing of a row or of the whole ensemble."
-Kenneth Baker, San Francisco Chronicle

"...there's a slight feeling of discomfort as McFarland indulges an irresistible fantasy of making urban grit something we can lord over."
-Glen Helfand, ARTFORUM

Born in Southern California, McFarland currently lives and works in San Francisco. McFarland earned his under graduate degree from Humboldt State University, and his MFA from California College of the Arts, San Francisco. McFarland's has received several prestigious awards including the 2011 Eureka Fellowship from The Fleishhacker Foundation, an invitation to the 2011 Bay Area Now: 6 biennial exhibition at the Yerba Buena Center for the Arts, San Francisco, the 2009 Baum Award for Emerging American Photographers, the 2009 John Guttman Photography Fellowship, the 2005 Phelan Art Award in Photography from the San Francisco Foundation and SF Camerawork, the 2004 Fellowship from the National Photography Institute at Columbia University. In 2010, McFarland was a finalist for the SFMOMA's Society for the Encouragement of Contemporary Art Award. McFarland's residencies include the Kala Art Institute, Berkeley, CA and the Headlands Center for the Arts, Sausalito, CA (forthcoming, 2011). McFarland's work has exhibited internationally over the past ten years and has been collected by several public and private collections including the San Francisco Museum of Modern Art, the Whitney Museum of American Art Library, the Oakland Museum, Humboldt State University, University of California Davis and Genentech.

Images & Information on Sean McFarland: www.baerridgway.com

Baer Ridgway Exhibitions
172 Minna Street, San Francisco, CA 94105
www.baerridgway.com, info@baerridgway.com

415.777.1366

Above Image:
Sean McFarland
Creek Portrait, 2011
C-Print, 45 x 30 inches

2011-03-03T22:10:00.001-08:00

2011-02-27T14:34:00.001-08:00

2011-02-26T20:59:00.000-08:00

2011-02-22T15:04:00.000-08:00

sunk fence - divider dug into the earth rather than one erected upon it. a ditch with one sloped side and a single retaining wall creating a separation between lawn and field.

great word.

from this book

everyone should buy a copy.

2011-02-21T13:23:00.000-08:00

Untitled Landscapes (California), 2002 - 2010. In it's permanent home.

2011-02-20T17:46:00.000-08:00

2011-02-20T17:43:00.002-08:00

2011-02-20T17:43:00.001-08:00

ship wreck.

2011-02-20T17:42:00.001-08:00

2011-02-20T17:41:00.000-08:00

2011-02-20T17:40:00.000-08:00

there is snow on the mountain.

2011-02-16T21:41:00.000-08:00

i used to photograph books. every day. every page.

2011-02-16T21:33:00.000-08:00

viewshed

2011-02-16T20:14:00.000-08:00

this tree will soon be gone. go and see it here.

2011-02-16T18:06:00.000-08:00

2011-02-14T10:38:00.000-08:00

southwest

2011-02-14T10:37:00.000-08:00

west

2011-02-14T10:35:00.000-08:00

northwest

2011-02-03T22:45:00.001-08:00

2011-01-31T14:24:00.001-08:00

2011-01-31T09:37:00.001-08:00

positive sea

2011-01-31T09:36:00.001-08:00

negative sea

2011-01-30T14:49:00.000-08:00

Mary Miss, Perimeters/Pavillions/Decoys 1977-78

2011-01-30T12:31:00.000-08:00

2011-01-29T15:01:00.000-08:00

2011-01-29T15:00:00.000-08:00

2011-01-28T16:46:00.001-08:00

2011-01-28T15:33:00.001-08:00

2011-01-28T15:29:00.000-08:00